Dorine tartuffe essay

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Like Moliere’s other comedies both high and low, this one builds upon a base of stock characters drawn from early Italian comedy. Here, as in his other high comedies, Moliere develops the featured characters (such as Orgon) well beyond stereotype, observing also the classic rules of construction and development established for French tragedy by Pierre Corneille. Tartuffe himself is a highly individualized and extremely complex character, not without some true sincerity even as he tries to relieve Orgon of both his money and his wife, Elmire. The play’s ending, quite frankly artificial and contrived, functions at least in part as a parody of artificial endings on the stage, underscoring the play’s self-conscious theatricality.

Dorine tartuffe essay

dorine tartuffe essay

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