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We must not be deceived by superficial phenomena and local successes. Picasso's shows still draw crowds, and T. S. Eliot is taught in the universities; the dealers in modernist art are still in business, and the publishers still publish some "difficult" poetry. But the avant-garde itself, already sensing the danger, is becoming more and more timid every day that passes. Academicism and commercialism are appearing in the strangest places. This can mean only one thing: that the avant-garde is becoming unsure of the audience it depends on -- the rich and the cultivated.
My grandchildren have started attending a conservative private school because of the large sizes of the classes in the public schools. Their parents have recently become concerned because of the introduction of the Devil in the curriculum of that school at the first and third grade levels where our grandchildren are students. Their questions are: "When did the concept of the Devil get introduced into the pre-Christian world? How is the Devil to be interpreted in several Bible stories? Why did the culture at that time accept the image of the Devil? Why do conservatives today not get beyond the personal Devil image? How can evil be explained without using the idea of a real Devil?